她只是想讓自己輕盈一點。身體輕一些，靈魂也輕一些。某日從游泳館出來時，玉惠感覺到包包似乎在滴水，濕意滲透進她的身體。玉惠決定徹底卸下一切……

这是我跟随民间记忆计划返回我的村子拍摄的第四部“邹家村系列”片子。2013年初，我又回到村子，面对遍布村里的垃圾，我开始带着村里的孩子，尝试来改变村子的环境。我们一起捡垃圾，一场艰难顽固的搏斗在我们之间展开。面对垃圾越捡越多，困惑无奈情绪产生，内心犹如充满垃圾一样难以喘息，在村子现实面前无助、无力。95岁的沙奶奶和她49岁“脑子不正常”的儿子西柱的日常生活贯穿在片子中，孤独，等待着、活着。我陪伴在他们身边，感觉到母爱和温暖。这部片子是我再次抨击现实高墙，重新定位自己未来的一段艰难内心历程的印证。

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

【垃圾】是一齣發生在一個香港老社區的迷你「公路電影」。 　　「社區 」(Community) 是一個奇怪的詞，它不像「家庭」般溫暖，但對一些人來說，像故事中的角色，他們並沒有一個模範的家，然而在這個晚上，他們「有著」彼此。 　　七十多歲的笑姨，在家中再次受到兒子無情無理的恐嚇虐待。忍養一生，她決定把一早就應拎掉的梳化推出家外，獨自步行到垃圾站。在夜半的街角，笑姨碰上認識了卅多年的老街坊堂哥。 　　這一個夜，二人行行停停，推著破舊沉重的梳化，走過夜靜的老街、便利店、公園、天橋底、垃圾站......；路上遇見不同的人、物、以及孤獨的風景......。這段路，看出二人與家人的問題，也看到了那血濃於水的羈絆；老朋友的相助，給悲傷的笑姨帶來了點點溫暖和生氣；可是，殘忍的現實卻仍舊荒涼重復。 　　隨着燈光、場景、聲音、剪接，觀眾彷如置身其中，和兩個主角一起在炎熱的夜空中，在香港的老社區遊走。透過溫婉溫和的視角，感受他們的疲憊、失望、關注、擔憂、無奈與及「放下」......。 　　老和死之間，還隔著一段人生。

16mm胶片拍摄。姐姐前来告知自己多年未见的弟弟关于母亲的丧事，家庭中积压多年的情绪在暗中发泄出来。

腕っ節が強く地元では向かうところ敵なしの青年・本堂ケント（ELLY）は勢いで上京するも何もかもが順調に進まず、さらにもめ事を起こしたことで仕事先からも追われてしまう。地元に戻った彼は、高校時代に付き合っていた女性が、夫の借金によってトラブルに巻き込まれていることを知る。夫の行方を捜しに東京に戻ったケントは闇金に殴り込みをかけるが、そこは元暴走族が仕切る地下組織に関わる店だった。

星空編織師能夠將一團團的毛線球編織成美麗的星星圖騰，天空滿是他的作品，連月亮都是他編成的！在他的巧手下，優美的舞伶誕生了。她的舞步令人目眩神迷，連編織師都忍不住共舞。黑色惡龍卻突然殺出，綁架了舞伶，心急如焚的編織師該如何拯救她？天上的星星能幫上忙嗎？綜合實體與平面動畫，創造一則獨特的創世童話。